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An Introduction to the Motifs of the Petroglyphs in Darreh Sabz, the Green Valley, Located in the Southeast of Kurdistan Province

Received: 9 August 2021    Accepted: 26 August 2021    Published: 31 August 2021
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Abstract

Mountainous plains located in the middle of the Zagros Mountains in Ghorveh have attracted different ethnic groups and provided suitable opportunities for living and continuity the human life process since ancient times throughout history due to enjoying suitable environmental conditions. There is a site of rock art in the southeast of Kurdistan, located in the village of Zarrineh, called Darreh Sabz, the Green Valley. Some of its figures and motifs contain important elements comparable in terms of style and morphology to the lithographs of different regions in Iran and also other similar sites in Kurdistan. Some of these motifs and figures have been created on the rocks in overlappingintervals during several different periods. The petroglyphs found in Darreh Sabz, Green Valley, include human-like motifs in various combinations and poses, horse and rider, and motifs of animal figures including goats, rams, ewes, camels and other motifs in the form of graphic and abstract elements and also geometric shapes and symbols. Generally, the present survey is an attempt to introduce and examine the lithographic symbols of the Green Valley. This article is based on. To do this, the methodology used in this research is historical-analytical descriptive method which is based on field studies and library documents. In examining and analyzing the Green Valley rock arts, we have come across a number of questions including the form and the whole subject matter taken into account in creating the rock art drawings, their creators and artists and also the purpose of creating these drawings, motifs and figures on a rocky outcrop and out of sight of the general public in those periods of time. Based on the findings of this study, there are no images, figures and motifs without conveying some specific concept and meaning among the drawings of the Green Valley.

Published in International Journal of Archaeology (Volume 9, Issue 2)
DOI 10.11648/j.ija.20210902.12
Page(s) 45-49
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Rock Engraving, Darreh Sabz, Green Valley, Petroglyph, Kurdistan, Iran

References
[1] Azizi, E. (1999). “Archaeological Report of the Field Study of the Western and Eastern Chahardoli Region, Ghorveh”, Archive of the General Office of the Cultural Heritage, Tourism and Handicrafts of Kurdistan Province (unpublished).
[2] Azizi, E. 1999. “A Field Study of Ghorveh and Dehgolan.”, Archive of the General Office of the Cultural Heritage, Tourism and Handicrafts of Kurdistan Province (unpublished Report in Persian).
[3] Bednarik, R. G. 1981. “Finger, Lines, Their Medium and Their Dating.” Unpublished. MS, Melbourne: Archive of the Australian Rock Art Research. Association.
[4] Bednarik, R. G. 1996. “Only Time Will Tell: A Review of the Methodology of Direct Rock Art Dating”. Archaeometry 38, 1-13.
[5] Bednarik, R. G. 1998. “The First Creation Movements.” Translator: Mostashari, Ali. UNESCO Message Magazine, 335, 4-9.
[6] Behnia, A. 2008. “The Archaeological Study of Serishabad District.”, Archive of the General Office of the Cultural Heritage, Tourism and Handicrafts of Kurdistan Province (unpublished Report in Persian).
[7] Beig Mohammadi, Kh., Janjan, M. & Beig Mohammadi, N., 2012, “An Introduction and Analysis on the Newly Found Lithographs in Arkas in Malayer” Hamedan, The Archaeological Letter, 2, 121-140.
[8] Borney, Mack, 1969. “Preliminary Report on the Study and Excavation of Caves in Koohdasht.” Translated by Zabihollah Rahmatian, Archeology and Art of Iran, 3, 14-16.
[9] Farhadi, Morteza, 1998. “Museums in the Wind, A Report of the Collection of the Newly Found Lithographs in Taymareh”, Tehran, Allameh Tabatabaei University.
[10] Ghasimi, T. 2007. "A Report on the Study of Rock Motifs in Oraman." Archeology, 3, 71-80.
[11] Karimi, Z. 2007. “Archaeological Survey of the Central District of Ghorveh.” Archive of the General Office of the Cultural Heritage, Tourism and Handicrafts of Kurdistan Province (unpublished Report, in Persian).
[12] Labaf Khani, R. & Bashash, R., 1998. "The Lithograph in Lakh Mazar in Birjand", Tehran: Cultural Heritage Publications, 1st edition.
[13] Lahafian, J. 2004 “Petroglyphs of Kurdistan.” Rock Art Res. 21, 3–10.
[14] Lahafian, J. and Behnia, A., 2018, “Ghorveh Rock Arts in Western Iran” Rock Art Magazine 35, 103-105.
[15] Mohammadi Ghasarian, Sirvan. 2007. “Studies of Rock Patterns in Iran: Problems and Solutions”: Bastan Pajoohi; 3, 15-18.
[16] Mohammadifar, Y. and Hemmati Azandariani, E. 2014. "An Introduction and Analysis of the Rock Motifs of Azandarian Malayer", Social Sciences Quarterly No. 64.
[17] Mullah Salehi, H., Saeedpour, M., Mo'meni, A.; Bahramzadeh, M. 2007. “Archeology of Petroglyphs in the South of Qazvin Province.” Journal of Archeology, 9, 13-90.
[18] Rafifar, J., 2002, “Lithographs of Arasbaran (Sungun).” Journal of Anthropology, 1, 45-76.
[19] Rashidinejad, M. and Zamanian, M., 2009. “A Study of Newly Found Lithographs of Haj Mad Farm and Murad Beig Valley of Hamadan” Payam Archaeologist, 11, 88-96.
[20] Rezaei, M. and Judi, Kh., 2010. “The Stories of Lithographs in Heloush: Introduction, Description, Interpretation and Chronology.” The Website of the Scientific Journal of Anthropology and Culture: www.Anthropology.ir.
[21] Samadi Bageh Jan, J., Behnia, A. 2015., "Description and Analysis of Rock Motifs in Zafarabad Dehgolan."; Payam Archaeologist, 24, 71-80.
[22] Sharifi, F., 2017, “An Archaeological Survey of Ghorveh”, Archive of the General Office of the Cultural Heritage, Tourism and Handicrafts of Kurdistan Province (unpublished).
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    Mohammad Ebrahim Zarei, Ali Behnia. (2021). An Introduction to the Motifs of the Petroglyphs in Darreh Sabz, the Green Valley, Located in the Southeast of Kurdistan Province. International Journal of Archaeology, 9(2), 45-49. https://doi.org/10.11648/j.ija.20210902.12

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    ACS Style

    Mohammad Ebrahim Zarei; Ali Behnia. An Introduction to the Motifs of the Petroglyphs in Darreh Sabz, the Green Valley, Located in the Southeast of Kurdistan Province. Int. J. Archaeol. 2021, 9(2), 45-49. doi: 10.11648/j.ija.20210902.12

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    AMA Style

    Mohammad Ebrahim Zarei, Ali Behnia. An Introduction to the Motifs of the Petroglyphs in Darreh Sabz, the Green Valley, Located in the Southeast of Kurdistan Province. Int J Archaeol. 2021;9(2):45-49. doi: 10.11648/j.ija.20210902.12

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  • @article{10.11648/j.ija.20210902.12,
      author = {Mohammad Ebrahim Zarei and Ali Behnia},
      title = {An Introduction to the Motifs of the Petroglyphs in Darreh Sabz, the Green Valley, Located in the Southeast of Kurdistan Province},
      journal = {International Journal of Archaeology},
      volume = {9},
      number = {2},
      pages = {45-49},
      doi = {10.11648/j.ija.20210902.12},
      url = {https://doi.org/10.11648/j.ija.20210902.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ija.20210902.12},
      abstract = {Mountainous plains located in the middle of the Zagros Mountains in Ghorveh have attracted different ethnic groups and provided suitable opportunities for living and continuity the human life process since ancient times throughout history due to enjoying suitable environmental conditions. There is a site of rock art in the southeast of Kurdistan, located in the village of Zarrineh, called Darreh Sabz, the Green Valley. Some of its figures and motifs contain important elements comparable in terms of style and morphology to the lithographs of different regions in Iran and also other similar sites in Kurdistan. Some of these motifs and figures have been created on the rocks in overlappingintervals during several different periods. The petroglyphs found in Darreh Sabz, Green Valley, include human-like motifs in various combinations and poses, horse and rider, and motifs of animal figures including goats, rams, ewes, camels and other motifs in the form of graphic and abstract elements and also geometric shapes and symbols. Generally, the present survey is an attempt to introduce and examine the lithographic symbols of the Green Valley. This article is based on. To do this, the methodology used in this research is historical-analytical descriptive method which is based on field studies and library documents. In examining and analyzing the Green Valley rock arts, we have come across a number of questions including the form and the whole subject matter taken into account in creating the rock art drawings, their creators and artists and also the purpose of creating these drawings, motifs and figures on a rocky outcrop and out of sight of the general public in those periods of time. Based on the findings of this study, there are no images, figures and motifs without conveying some specific concept and meaning among the drawings of the Green Valley.},
     year = {2021}
    }
    

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    AU  - Mohammad Ebrahim Zarei
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    AB  - Mountainous plains located in the middle of the Zagros Mountains in Ghorveh have attracted different ethnic groups and provided suitable opportunities for living and continuity the human life process since ancient times throughout history due to enjoying suitable environmental conditions. There is a site of rock art in the southeast of Kurdistan, located in the village of Zarrineh, called Darreh Sabz, the Green Valley. Some of its figures and motifs contain important elements comparable in terms of style and morphology to the lithographs of different regions in Iran and also other similar sites in Kurdistan. Some of these motifs and figures have been created on the rocks in overlappingintervals during several different periods. The petroglyphs found in Darreh Sabz, Green Valley, include human-like motifs in various combinations and poses, horse and rider, and motifs of animal figures including goats, rams, ewes, camels and other motifs in the form of graphic and abstract elements and also geometric shapes and symbols. Generally, the present survey is an attempt to introduce and examine the lithographic symbols of the Green Valley. This article is based on. To do this, the methodology used in this research is historical-analytical descriptive method which is based on field studies and library documents. In examining and analyzing the Green Valley rock arts, we have come across a number of questions including the form and the whole subject matter taken into account in creating the rock art drawings, their creators and artists and also the purpose of creating these drawings, motifs and figures on a rocky outcrop and out of sight of the general public in those periods of time. Based on the findings of this study, there are no images, figures and motifs without conveying some specific concept and meaning among the drawings of the Green Valley.
    VL  - 9
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Author Information
  • Department of Archaeology, Bu-Ali-Sina University, Hamadan, Iran

  • Department of Archaeology, Bu-Ali-Sina University, Hamadan, Iran

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